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Monday, November 7, 2016

Mrs Clay's Freckles Under Cosmetic Treatment

May I just reiterate once again how much I love living in Hampshire? One Austenesque event after another happening around me... so much so that I struggle to attend all of them!

Last week there was a talk at my local library, interestingly titled "Mrs Clay's Freckles", given by Annalie Talent - the Learning Officer at Jane Austen's House Museum, Chawton. Persuasion being my favourite Jane Austen novel, I could immediately tell that the talk was about beauty in Jane Austen's time.

In the novel Persuasion, Mrs Clay is companion to Anne Elliott's sister, Elizabeth, who aspires to become Sir Walter Elliott's wife. The incredibly vain Sir Walter approves of Mrs Clay with the exception of her buck teeth and freckles, which he keeps remarking on in her absence. 

Did you know that mice fur was used to accentuate the eyebrows in the 18th Century? 

And that fresh air and exercise was considered to be the best blusher in the Regency era?

The talk, captivating and entertaining from the first moment, focused on beauty throughout the Georgian and Regency periods, with plenty of images, references from Jane Austen's books and letters, and interesting artifacts on display. Ms Talent compared the old and new concepts of beauty and the remarkable changes that happened in fashion and beauty during the turn of the 18th Century. 

Ms Talent showed several images of beauties of the Georgian era, demonstrating how important the application of makeup was during the period. The look of the time was very artificial, with extremely pale faces, highly rouged cheeks and powdered wigs being in vogue. 

The look was described in the 1780 by Jane's cousin, Eliza De Feuillide, who socialised within the French court circles. She wrote, "powder is generally worn, & in very large quantities, no one would dare to appear in the public without it, the Heads in general look as if they have been "dipped in a meal-tub". 

                                                                                                                                Powder puff and curling tongs

Cosmetic lotions were often damaging to health, requiring women to bleach their faces with lead, causing pockmarks and hair fall, sometimes ending up in untimely death due to blood poisoning, as happened to a widely admired beauty, Maria - Countess of Coventry, who died at the age of 27.

Dark eyebrows were all the rage, making the skin look paler. Mice were aplenty in houses and therefore the hide and fur of mice were used to blacken the eyebrows that very often had fallen off as a result of excessive use of lead. People also prepared their own concoctions to blacken their eyebrows, consisting of iron sulfate, binder gum and gall nuts (from trees) - this was comparable to using ink on your eyebrows, being similar to the recipe for ink that was written by Jane Austen's friend and housemate, Martha Lloyd, in her cookbook.

                                                          Glasses case, powder box, tweezers, beauty patch boxes and a powder puff. 

Beauty patches were popular in the period, partly as they helped disguise faults in the skin, such as pockmarks that have come about as a result of disease. However, fine ladies would only use one patch on their faces, several being the sign of a "loose woman". Patches were kept in intricately decorated patch boxes (below), which were sometimes bought as souvenirs from seaside resorts or given as gifts to one's lover.

Beauty patch boxes 

By the Regency period after the turn of the century, artificial looks gave way to a more natural ideal of beauty, as people no longer wished to associate themselves with the (largely deceased) French aristocracy. I described the changes in fashion here and here. Being "highly rouged" was no longer considered beautiful, as scorned by Jane Austen in 1801. She wrote about a Mrs Badcock, "She was highly rouged, & looked rather quietly and contentedly silly than anything else". Intellectuals, such as Rousseau, had been praising life "au naturel", and there was a shift towards Greek and Roman classical silhouettes. Hair was still artificially curled, but more natural makeup was preferred. Due to a tax on hair powder being introduced in 1795, powdered wigs were no longer popular.

People were also starting to realise how harmful cosmetics could be and it was recommended that one took the benefit of exercise outdoors to bring colour and exuberance to one's looks. In Pride and Prejudice, Elizabeth arrives at Netherfield "face glowing with the warmth of exercise", and Mr Darcy admires "the brilliancy which exercise had given her complexion" (ch. 7).

Likewise, Emma Woodhouse is the image of health and vitality; she has "the true hazel eye - and so brilliant! regular features, open countenance, with a complexion - oh, what a bloom of full health" (ch. 5), as opposed to Jane Fairfax, who is pale and has an air of ill health about her.

Dark eyes were indeed considered beautiful and, unaware of its dangers, belladonna was dropped into eyes to dilate one's pupils, which could make you blind.

How did people learn about fashion at the time? 

Women's magazines were popular, such as the Belle Assemblee, and ladies also peeked at the fashion plates from the Repository of Arts, Literature, Commerce and Fashion, which were on display at the talk (see below). There were several adverts for cosmetics and clothing, such as stays, in the magazines, along with news (read: gossip). Quite often, adverts would be written in the form of poetry, which I thought, was quite a refreshing idea!

Fashion plates and musical notes

A ladies' magazine. 

So, if ladies no longer used lead to bleach their faces, how would one protect oneself from evils, such as freckles and tans? Of course, one wore protective clothing while outdoors, never being seen without a bonnet, gloves and a parasol when sunny. In Persuasion, Sir Walter Elliott recommends that Mrs Clay use Gowlands Lotion, which gave a chemical peel and actually contained some mercuric chloride. The lotion was commonly used, along with more natural, homemade lotions, such as a mix of egg whites and fard or almonds and honey. Martha Lloyd has written recipes for various cosmetic lotions in her cookbook that used ingredients from the Austen ladies' garden, such as roses, beeswax and lavender. I believe that Jane Austen herself must have been in favour of these natural beauty treatments, especially while living in the country and having easy accessibility to natural ingredients. Perhaps she resorted to using Gowlands Lotion while living in Bath?

Now what was Jane Austen's take on all this? 

We know for a fact that Jane Austen herself was interested in fashion and beauty, making several references to fashion in her letters. We also know from her letters that she was amused by the excessive application of makeup and found it distasteful. Ms Talent aptly pointed out that Jane Austen was known always to wear a cap indoors from the age of around 33-34, when she moved to Chawton, a clear sign of early spinsterhood. 

She wrote as early as 1798, "I have made myself two or three caps to wear of evenings since I came home, and they save me a world of torment as to hair-dressing, which at present gives me no trouble beyond washing and brushing, for my long hair is always plaited up out of sight, and my short hair curls well enough to want no papering (curlers)". 

Jane Austen was certainly not vain although she appears to have had an appreciation for simple elegance. 

I thoroughy enjoyed and learnt so much from Ms Talent's highly entertaining and informative talk, full of humour and drama. I hope you enjoyed reading about beauty in Jane Austen's times!


Amy, H. (2015) The Jane Austen Files: A Complete Anthology of Letters and Family Recollections. Amberley Books. 
Black, M. & Le Faye, D. (2002) The Jane Austen Cookbook. McClelland and Stewart. s
Burne, P. (2014) The Real Jane Austen - A Life in Small Things. Harper Perennial. 

Monday, September 12, 2016

Back from Bath!

This weekend was very special for me as I got to experience the Jane Austen Festival for the first time. Due to family commitments, I only had the chance to attend one day of the festival, but it was lovely to be part of the event and especially the most important part: the Grand Costumed Promenade. 

I really enjoyed the fact that the festival felt very communal and it seemed as if lots of people knew each other having returned year after year. There are tons of interesting events to choose from, but unfortunately I was too late in booking and most of the events were sold out. However, it was an amazing experience to dress up in period costume along with hundreds of other fellow Austenites, stroll along the streets so well known to Jane Austen, and to spend time at the Assembly Rooms where she used to attend balls.

The hustle and bustle at the Assembly Rooms must have been quite similar to how it was back in the day! Beautiful gowns, interesting hats and bonnets, in all manner of styles varying from late Georgian to late Regency and some with a modern twist. 

We set off in the rain, a sea of umbrellas moving ahead with tons of followers taking in and documenting the unusual sight. 

                                                                            Oui, c'est moi.

                                                            Hem six inches deep in mud, quite appropriate...

It was a quite a strange feeling being photographed while walking along the streets of Bath that day, with tourists clicking away at every opportunity and I even spotted the Mayor of London (Mr Khan) in the audience! 


We walked for well over an hour and then returned to the Assembly Rooms where there were some children dancing and a Regency Fayre with several stalls selling Regency clothes and accessories. 

There was a silhouette cutter, too, which proved very popular.

Luckily I found a stall selling all kinds of feather and I purchased a taller, more appropriate, white feather for my bonnet. 

Later in the afternoon, I returned to the Assembly Rooms to watch a short theatrical version of Pride and Prejudice. The theatrical was performed exceedingly well by only two actors, and was a very entertaining, hilarious take on my favourite novel, summarised in just 20 minutes!

Interesting wall art in the Cards Room. 

Mr Darcy, Mr Bingley and Mr Bennet all in one!

Marry Mr Darcy? Good heavens, no!

I hope to be back next year and catch many more interesting events in my beloved city of Bath...

Saturday, September 10, 2016

My Straw Bonnet

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Here's a glimpse of my little project for this week: a Regency bonnet. I don't think I'm particularly handy but I had to have one as I'm going to participate in the Jane Austen festival promenade tomorrow. I'm very excited as I've always wanted to go to the festival and now I will finally get the chance to use my Regency gown again (I've only ever used it once).

Not sure how authentic my bonnet looks, but it is a bonnet and it completes my outfit. Watch this space!

Friday, August 26, 2016

Visiting the Chutes at the Vyne

There are several impressive country houses close to where I live, and I chose to visit The Vyne, which is owned by the National Trust. The Vyne classifies as "Austen country",  being one of the manor houses well known to Jane Austen and her family, as the manor belonged to their family friends, the Chutes.

The Vyne is a medium-sized but grand manor, nestled amidst beautiful Hampshire countryside. The Vyne is situated close to Basingstoke in a village called Sherborne St John, where Jane Austen's eldest brother, James Austen, was vicar. James Austen was friends with the Chute brothers, hunting and dining with them almost every week. The Vyne is some distance from Steventon, and it must have taken a while to ride there from the Rectory.

The visitor entrance (above) is on the opposite side of the estate, the main entrance facing the other side (topmost photo). The visitor entrance takes you past a brook with some beautiful flowing waterfalls, with plenty of salmon and trouts and ducks swimming in it, large weeping willows, landscaped gardens and a summer house. There is a large pond opposite the house, and some lovely greenery, old trees and woodland scattered around the estate.

The building is a Tudor palace, dating back to the 16th Century when it was built for Lord Sandys, King Henry VIII's Lord Chamberlain. Later, in the 18th Century, the house became the home of the Chute family. The exterior does have a Georgian look to it, with its palladian porch, classical regularity and typical sash windows. 

The interior features typical tudor-style wall panelling, similar to the panelling in Chawton House.

As I went in, I realised just now notable the estate must have been and how rich its history really was; in the Oak Gallery, there are several portraits and statues dating back to the Tudor times, portraying some important figures, such as Henry VIII, who, along with Elizabeth I, is known to have visited The Vyne.

One of the many classical statues to be found in the visitor entrance lounge.

The further drawing room with its lavish Italian silk brocadelle wall hangings.

The Chutes were keen collectors of beautiful china from across the world. 

The saloon with the gilded detail served as the dining room and was later converted into a music and drawing room.

The dining room. 

The original Tudor ante chapel which has been preserved surprisingly well. 

Beautiful classical detail in the ceiling and Corinthian posts on the walls. 

The stunning classical staircase created by John Chute. 

And now, to the Austen connection...

                                                                                                            John Chute (with permission from The Vyne). 

                                                                                                             Eliza Chute (with permission from The Vyne). 

William John Chute, MP for Hampshire, married Eliza Chute, the daughter of MP Joshua Chute, as he believed that she would make a good domestic wife. They were believed happily married although they never had any children of their own. Eliza was a witty, fashionable lady and found life at The Vyne dull and lonely. William spent a great deal of time hunting and travelling to London to Parliament. Eliza was a prolific writer, and wrote in a letter, 

"Mr Chute... seems to think it strange that I should absent myself from him for four and twenty hours when he is at home, tho' it appears in the natural order of things that he should quit me for business or pleasure, such is the difference between husbands and wives. The latter are sort of tame animals, whom the men always expect to find at home ready to receive them: the former are lords of the creation free to go where they please." (Tomalin, p.  152). Quite an independent, feminist voice, actually!  

Eliza Chute was a talented artist and her beautiful watercolour botanical paintings adorn the walls of her bedroom. They complement the original bedspread, which is framed on the wall.

The print room was designed by Eliza Chute in 1817. 

However, Jane and Cassandra didn't form a friendship with the Chutes. There appears to have been a level of mutual hostility between them, as Jane notes William's visit to Steventon in a letter in 1796, "I wonder what he means by being so civil". Later on, she mentions that they were supposed to meet the Chutes at Deane House, "They had meant to come to Steventon afterwards, but we knew a trick worth two of that" (p. 96). Biographers have speculated on the cause of the dislike, whether it be jealousy or pride. 

I thoroughly enjoyed my visit to the beautiful grounds of the Vyne, and despite her less than warm feelings towards the hosts, I can imagine Jane Austen enjoying some pleasant strolls around the gorgeous, serene estate. 


Tomalin, C. (1997). Jane Austen - A Life. Great Britain: Viking. 

Thursday, August 4, 2016

My Pilgrimage to Steventon - "The Cradle of Jane Austen's Genius"

In June I finally had the chance to realise one my dreams - to visit Steventon - the birthplace of Jane Austen and an inspiration for her early novels. This is where she was born, grew up, and wrote the first drafts of Pride and Prejudice, Sense and Sensibility and Northanger Abbey. Steventon always had a special place in her heart, and this is the place that she was so sad to leave that she fainted on hearing the news about the move.

"Three or four families in a country village is the very thing to work on", she advised her niece, Anna, in 1814, who was also writing a novel. Jane Austen's home in Steventon must have provided her with plenty of inspiration for her novels - it was, as her nephew James-Edward Austen-Leigh wrote, the "cradle of her genius".

Steventon is a tiny village situated six miles west of Basingstoke, between the villages of Ashe and Deane, in the most beautiful, green, lush Hampshire countryside.

Tall hedgerows line up tiny, ancient roads that lead up to Steventon, and tall arches of age-old trees shade the roads. Sheep dot the fields, and the many manor houses and thatched cottages in the area are not a far cry from Jane Austen's era. Indeed, the only thing that seems to have changed is that there are cars and tractors driving along the tiny roads instead of horses and carriages.

As you enter the village road from the motorway, you pass a pub called the Wheatsheaf, which used to be a coaching inn in Jane Austen's times. It was here that she often walked to pick up the post, as mail coaches would stop here on this busy London road to change horses.

As you drive through the village, you pass some quaint cottages along the way. After the village, continue for some time towards St Nicholas Church. As you come to the place where the road from the village meets the lane to the church where Jane Austen's father was Rector, there is an empty field on the right where Steventon Rectory once stood.

The Austen family moved into Steventon Rectory in 1768, and Jane Austen was born there in 1775 and spent the first 25 years of her life in the Rectory. Jane's brother, James, took over the Rectory in 1801, and unfortunately, the house was demolished in ca 1823. There are no visible signs of the Rectory left, but we have a fair idea of where the house was and how large it was after the recent archaeological excavations in the field where the building foundations were discovered. There is a slope at the back of the field, and many have suggested that Jane Austen would roll down the hill as a child, just like Catherine Morland in Northanger Abbey who "loved nothing so well in the world as rolling down the green slope at the back of the house".

The well used by the Austen family is still quite visible from the road and is surrounded by iron railings (now covered by bushes). 

The well was in the backyard of the Rectory, which suggests that the house must have been situated quite close to the road. The site for Steventon Rectory is a beautiful, peaceful location and nothing like the busier, more centrally located Chawton Cottage. 

There is a tall lime tree near the hedge (on the left), which was planted by Rev. James Austen who remained Rector of Steventon following his father from 1805 until 1819. In 1823, before the old Rectory was demolished, a new rectory was built by Jane Austen's brother, Edward Austen Knight who owned the land here, for his son, Rev. William Knight. You can see the house in a prominent location on the hillside opposite, image below (it is now privately owned).  

Turn towards the church. In Jane Austen's day, the road was a rutted cart track, which required Jane and Cassandra to wear pattens under their shoes in muddy weather! About 1/3 mile up the road, you see Steventon Manor on your right. This is newly constructed; Jane knew the original Elizabethan manor well as the Austen's friends, the Digweeds, were tenants at the manor.

Steventon manor 

On your left is the Church of St Nicholas, where George Austen was Rector. The church is believed to be as old as 12th Century, and I was pleased to find out that it has changed very little since Jane Austen's days. 

The Church of St Nicholas

The church looked quite modest and simple from the outside, which added to its charm. The ancient yew tree in front of the church is estimated to be over 900 years old. The original key used to be kept in the hollow trunk of the tree, but it disappeared mysteriously a few years ago. 

You know that you've come to the right place when you see this plaque on the signboard! 

The church is very pretty inside, with colourful Victorian wall murals adorning the walls. This is where Jane came with her family every Sunday for the first 26 years of her life, to hear her father preach and to meet all the members of her community. The church really is very small, and can't have had a congregation of more than 40 people or so. 

There is a plaque dedicated to Jane Austen on the wall, donated by her great grandniece. 

There is a monument for James Austen, erected by his widow and children, on the wall. There are monuments for his wives, Anne and Mary, as well. (Apologies for the blurred photos!)

There were also some memorials for members of the Digweed family who had their own Digweed Pew as well, as they lived here for 100 years. This is one of the only remaining pieces of furniture to have survived the Victorian renovations. 

Outside, right by the door, there is an old sundial - a scratch on the wall, which marked the time at which people were expected to be at the church for worship. 

We had a look at the churchyard as well, to find the grave of James Austen. 

There was also the grave of William Knight and his family members. 

As I left from Steventon, full of excitement at the beauty and serenity of the place, I decided to have a look at the nearby villages, Ashe and Deane, as well. George Austen was also in charge of the parish of Deane, and Jane Austen frequently walked to Ashe to meet family friends. 

This beautiful building is Ashe Rectory, where Jane's best friend and mentor, Madame Lefroy, lived. She was the aunt of Jane's love interest, Tom Lefroy, and he stayed at the Rectory for some time until his aunt sent him away, perhaps worried that Jane might get hurt. I have to admit I fell a little in love with this house myself, with the gorgeous roses and vines adorning the glorious Georgian facade. 

Jane visited her friends, the Harwoods, at Deane House, a beautiful eighteenth-century mansion with large grounds. Jane and Tom danced together in a ball at Deane House, and she also visited her close friends, Martha and Mary Lloyd, at nearby Deane Rectory.

The three villages are all nearby, but too far to walk by modern standards. It does make you realise just how much walking Jane Austen must have done on a daily basis and perhaps this is why she loved her Hampshire countryside so much?

Having seen Steventon, Ashe and Deane, I now feel a tad closer to the world of Jane Austen and can imagine her walking around the fields and woods in her bonnet and gown, hem 6 inches deep in mud...

References and further reading:

Austen-Leigh, W. /Austen-Leigh, R. (2009) Jane Austen, Her Life and Letters - A Family Record. Echo Library.

Edwards, A-M. (1991). In the Steps of Jane Austen – Walking Tours of Austen’s England. Wisconsin: Jones Books.